BIO
STATEMENT
At the core of my work is an intense interest in the energy and movement as experienced through the landscape. My paintings evolve from these experiences, later filtered through memory, imagination and emotion. The process begins with rough pencil sketches done on location. These images are the foundation in formulating an idea for a painting to be executed in the studio setting. Many weeks, months or years may pass until I return to the memory of a particular experience as sparked by the sketches. Color decisions are made during the painting process. Although I envision a final image in my minds eye before a painting begins, this image may alter during the creative process. It is this process that continues to sustain and challenge my energies, providing joy and purpose to my life journey.
EXHIBITION HISTORY
The photographic works have been exhibited from Maine to Florida since 1989, including J.S. Ames Fine Art, Punchinella's Fine Art and Redfield Artisan's. The paintings have been exhibited in regional galleries since 1998 including Redfield Artisan’s and The Turtle Gallery.
Beginning in 2002, I opened my studio on Mount Desert Island, Maine to the public. Recently, I was included in a group exhibit at the Maine State House, titled, "The Upper Coast".
The autumn of 2005 presented the opportunity for a solo exhibit in Philadelphia hosted by patrons.
As of 2007, my work is represented by The Cygnet Gallery in Portland, Maine. A group show is planned for May 2007, followed by a solo exhibit the month of November.
COLLECTIONS
The Maine Coast Heritage Trust
The United States Department of the Interior
The Philadelphia Museum of Natural History
PUBLISHING CREDITS
The photographs have appeared numerous times in Downeast Magazine including a photo essay titled, “Nature’s Art” and a cover. Images have also been included in various calendars by Downeast Books, The Nature Conservancy and The Audubon Society.
Work was included in “The Best of Photography Annual”, for the years 1994 to 1997.
In 2002, a watercolor titled, “The Clearing over Pastel Fields” was included in a collection of published Maine art by noted author Carl Little, titled,
“The Art of Maine in Winter”.
HONORS
Honors include recognition from “Photographers Forum” for several images in the annual photo competition from 1994 to 1997, as well as, competitions held by “The Washington Post” and The Art Institute and Gallery.
In 1996, an artist-in-residence status was awarded from Acadia National Park.
EDUCATION
The University of Delaware, Life Science
Colorado Mountain College, Photography
PRIVATE COLLECTIONS
I am most fortunate that my work is widely collected by numerous individuals from Maine to California. With thanks to these generous individuals I have been able to continue my path of artistic vision and commitment.
Should you like a formal bio please contact me and I will forward one to you.